Industry News & Reviews

Virtual Production Spectrum

The Immersive Production Spectrum

Developed by OSF to educate Producers and Directors in new digital production techniques, the Immersive Production Spectrum illustrates the full spectrum of computerised content production. Starting with live-action (digital) capture on the left, to augmented reality production (real-time VFX) in the middle, and fully computerised virtual production methods on the far right. The Immersive Production…
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volumetric 360 degree camera rig
Volumetric studio by intel
On Set Facilities On Set Colour Grading

Netflix only accept 4K footage for Original Productions

A sign of our times, Netflix has firmly stated that it would only use 4K cameras for its original productions, which has been a source of frustration for some cinematographers, especially those that use ARRI gear and work on Netflix projects. Post-production pipelines must also meet Netflix Original Productions 4K delivery requirements. Re camera hardware…
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Mo-sys startracker
Gizmodo Onset-facilities

Gizmodo On-Set Facilities Real-time VFX

Read the write up on gizmodo.co.uk

The Artist virtual production test

Real-time VFX Compositing Test 2 – The Artist Dance Scene

This time the OSF Real-time VFX team tackle a classic dance scene from ‘The Artist’ testing the DCC element pipeline and real-time matte methods, pushed with some fancy footwork. Filmed at OSF studios in Madrid. More to come on this soon, subscribe to our youtube channel to know when new videos are released.

On-Set Facilities Real-time VFX Solution Announced in Broadcast Magazine.

Read the full write-up over on Broadcast Magazine.

Unreal Engine Building & Optimizing Worlds for Real-Time.

We work with many vendors on projects so we thought it a good idea to share a bit of learning to make everyones life easier. This video focusses on creating content assets in your favourite DCC software, exporting them as FDX files, and considerations when designing content in DCC’s for VR engines. You won’t be…
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